On the Patience of Editions
What it means to release a work slowly, and why the edition is a form of care rather than scarcity.
An edition is often misread as a commercial instrument — a way to multiply an object and, with it, its market. We understand it differently. To release a work in an edition is to make a promise about attention: that each piece will be made to the same standard, documented with the same rigour, and placed with the same care as if it were unique.
Scarcity is a side effect. Care is the intention.
This is why our editions are small, and why they are slow. A work may be announced months before the first piece leaves the studio. We would rather a collector wait for an object made properly than receive one made quickly.
The certificate as a relationship
Every edition leaves the gallery with a certificate of authenticity — not as paperwork, but as the beginning of a relationship. It records the work, the artist, the number in the edition, and the gallery's commitment to stand behind it for the life of the object.
