Ashtray and lighter
Ashtray and lighter
Ashtray and lighter
Ashtray and lighter
Ashtray and lighter
Ashtray and lighter
Ashtray and lighter
Ashtray and lighter
Ashtray and lighter
Ashtray and lighter
Ashtray and lighter
Ashtray and lighter
Ashtray and lighter
Ashtray and lighter
Ashtray and lighter

Ashtray and lighter

11.000,00 kr
Material: Black and Green Patinated Bronze
Year: 2022
Dimensions: Approx. 12 x 4 cm
Edition: Limited edition of 30 + 4 Artist’s Proofs (AP)
In “Ashtray and Lighter,” through her distinctive black and green patination, Rose Eken turns everyday objects into relics from the recent past. Leftovers from the night with too much to drink or too many cigarettes, or maybe just a reminder of how everyone used to smoke, Eken invites her viewers to look closely at the ashtray and cigarettes, allowing them a better understanding of the objects in their place and time.
This artwork pays homage to the smaller things that tell a larger story, embodying a punk rock spirit in a form that endures and resonates with a larger audience.
The black and green patination brings out an aesthetic that is both rustic and contemporary, echoing the fine craftsmanship that went into creating this piece. Each sculpture carries a unique patina, making "Ashtray and Lighter" a remarkable and individualized piece.
For any inquiries contact:   contact@editionsolenne.com
Delivery Time: 
Edition 17/30 is available for immediate delivery or pickup in Copenhagen other numbers have a lead time of 8-10 weeks.

Rose Eken

Rose Eken (b. 1976) is a Danish visual artist whose practice dances between the meticulously handmade and the everyday ephemeral. Working primarily in ceramics, her work distills fragments of life—guitar pedals, crumpled cigarette packs, slices of cake—into sculptural still lifes that feel both intimate and theatrical.

With a background in scenography, Eken builds immersive installations that read like stage sets frozen mid-performance. Objects are rendered not as perfect replicas, but with visible brushstrokes and fingerprints—alive with imperfection and narrative. There’s a quiet defiance in her work, a playful nod to pop culture and punk, but always anchored in the tactile, the personal, the real.

Her ceramic interpretations turn the ordinary into relics. A walkman. A studio coffee cup. A single sneaker. These aren’t just things—they’re emotional echoes, made permanent. In Eken’s hands, the act of remembering becomes sculptural.

Eken is educated at the Royal College of Art in London and the Edinburgh College of Art. Her work has been exhibited across Europe and the U.S., and is part of major public and private collections. She lives and works in Copenhagen.