Andrés Reisinger

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Andrés Reisinger (b. 1990, Buenos Aires, Argentina) is a visionary digital artist known for merging the boundaries between dreams and reality. Educated at the University of Buenos Aires, he works across digital media and physical furniture design, creating immersive, emotionally charged environments. His acclaimed projects—Pollen, The Shipping, Take Over, and Hortensia—blend virtual aesthetics with tangible design, redefining narrative spaces. Reisinger's installations have transformed institutions such as Palazzo Strozzi and the Moco Museum, where his evolving worlds challenge perception and invite deep reflection.

Asger Harbou Gjerdevik

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Asger Harbou Gjerdevik works across painting and sculpture and is known for his bold, curious approach to materials and form. His work often feels spontaneous and full of energy—mixing playful shapes, rough textures, and a love for the unpredictable. He builds things up, takes them apart again, and lets each piece find its own direction. There’s something both familiar and strange in his art. You might recognize a shape, a rhythm, or a feeling—but nothing is spelled out. His pieces leave space for you to wonder, to make your own connections, and to enjoy the ride without needing to explain it. Asger’s art has been shown in galleries and institutions across Europe, and his works are part of several public collections. What makes his practice stand out is not just how things look, but how they feel—honest, raw, and completely his own. For Solenne, Asger created Pyramid—a small bronze sculpture with a big personality. It’s sharp and solid, but it doesn’t take itself too seriously. It could be ancient, or it could be a doodle turned into metal. Like much of Asger’s work, it holds a sense of humor and mystery at the same time.

Bjørn Magnussen

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Bjørn Magnussen (b. 1996) is a Danish artist who has quickly distinguished himself as a fearless voice on the contemporary art scene. He first broke through with his raw and exuberant works in charcoal and oil, and today he unfolds his creativity across a wide range of materials, including marble, glass, ceramics, wood, and bronze. At the heart of his practice lies a method he calls “intuition revolution”—a process that sets aside planning and predictability in favor of intuition and gut feeling as guiding forces. This approach is rooted in a life shaped by ADHD and Tourette’s syndrome, which make Magnussen especially sensitive to the constant stream of impressions he encounters. Rather than suppressing these impulses, he channels them directly into his art, producing works that are unfiltered and personal. Magnussen regards his artistic practice as both a spiritual expression and a therapeutic space, where presence in the moment is essential. Creating is not optional for him—it is a necessity. His work is not only about personal expression, but also about insisting on the value of intuition in a society that, according to Magnussen, too often teaches us from an early age to suppress spontaneous creativity. His artistic journey is an ongoing exploration of what unfolds when one dares to let go of control and let intuition take the lead. The result is a studio alive with immediacy, energy, and poetic unfolding — art that challenges us while inviting us to see the world anew.

Cathrine Raben Davidsen

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Cathrine Raben Davidsen (b. 1972, Copenhagen, Denmark) is a multidisciplinary artist whose work spans painting, drawing, ceramics, and textiles. She holds an MFA from the Royal Danish Academy of Fine Arts and has also studied at the Instituto Lorenzo de’ Medici in Florence and the Gerrit Rietveld Academie in Amsterdam. Raben Davidsen’s practice explores themes rooted in history, mythology, and human nature. In recent years, she has focused on ceramics, blending traditional techniques with contemporary storytelling to create evocative, narrative-rich forms.

Forever Studio

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Forever Studio, founded in 2015 by Bienke Domenie and Sara Degenaar in Rotterdam, Netherlands, is a design studio rooted in research and experimentation. Both founders are graduates of the Willem de Kooning Academy’s Lifestyle Transformation Design program. The studio primarily works with resin and metals to create sophisticated pieces that appeal to unconventional tastes. Forever Studio’s work often explores the intersection of object and spatial design, pushing boundaries and challenging traditional design norms.

Frederik Næblerød

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Frederik Næblerød is a Danish artist known for his raw, fearless approach to painting, sculpture, and performance. His work is loud, messy, and full of life—driven by emotion, instinct, and a need to push things to the edge. Whether he’s painting with his hands, carving wood, or building chaotic installations, there’s a strong physical presence in everything he creates. Næblerød’s universe is filled with strange creatures, wild faces, and twisted bodies. The colors are intense, the lines are rough, and nothing is polished. But underneath the surface chaos, there’s always a deep sense of urgency—like the work is trying to say something that can’t be put into words. He often works fast and freely, letting the process lead the way. It’s not about perfect planning—it’s about capturing a moment, a feeling, or a burst of energy before it disappears. This gives his work a kind of raw honesty that’s impossible to fake. Over the past years, Næblerød has made a name for himself as one of the most distinctive voices in the Nordic art scene. His work has been shown at ARKEN and Charlottenborg and is included in the permanent collections of the National Gallery of Denmark and the Danish Arts Foundation. In a time where much art feels overly careful, Frederik Næblerød’s work stands out for being the exact opposite: wild, personal, and completely alive.

Gun Gordillo

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Gun Gordillo is a trailblazing figure in the Scandinavian art world, internationally recognized for her pioneering work with light and form. Born in Denmark and based between Copenhagen and Paris, she has consistently challenged traditional boundaries. Working primarily with neon since the 1980s, Gordillo has become known for her ability to “draw in space”—using glowing lines of light to construct suspended compositions that evoke both fragility and force. Her work is often described as a balancing act: between architecture and emotion, electricity and silence, gesture and geometry. Over the decades, she has exhibited widely across Europe and the United States, with works held in significant collections and institutions. Gordillo’s artistic language is deeply rooted in drawing—not as a tool, but as a mode of expression. Whether using pencil on paper or neon tubing in three dimensions, she constructs her forms with the same lyrical precision. She speaks of line as “a kind of breath”—a continuous movement that reflects internal rhythms as much as external ones. This approach lends her work an intuitive elegance, even when it appears austere. For Edition Solenne, Gordillo created Bronzina—a limited-edition sculpture that distills many of the elements that define her artistic voice. Though intimate in scale, the work channels her fascination with curves and cadence. It doesn’t rely on electricity or light, but the same sensibility remains: a tension between movement and stillness, between material and line.

Helle Mardahl

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Helle Mardahl, based in Copenhagen, Denmark, is a celebrated artist and designer known for her playful, candy-colored glass creations that blur the line between art and design. She graduated in fashion design from Central Saint Martins in London, and her background in fashion is evident in her work. Each hand-blown piece showcases her love for vibrant color palettes and her unique sense of style, resulting in glassworks that are both whimsical and sophisticated.

Jacob Egeberg

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Jacob Egeberg (b. 1992, Denmark) is a designer known for his vibrant and unconventional approach to interior and furniture design. He earned his Master of Arts from The Royal Danish Academy in 2020. Egeberg primarily works with industrial materials such as powder-coated steel and molded plastic, using these elements to craft functional objects that challenge traditional domestic aesthetics. By employing industrial techniques, he reimagines everyday forms, creating bold and contemporary pieces that blur the line between utility and artistic expression.

Kaare Golles

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Kaare Golles (b. 1985) is known for his raw, physical sculptures and installations that probe themes of civilisation, decay, and the passage of time. Working in bronze, steel, concrete, and salvaged objects, Golles shapes a poetic yet brutal language rooted in the idea of the ruin. His practice circles around industrial relics, bodily traces, and the remnants of cultural systems in collapse. Educated at Malmö Art Academy (MFA, 2014) and with a Bachelor of Arts in Architecture from Aarhus School of Architecture, Golles has exhibited widely across Denmark and Europe. His work reflects a persistent fascination with the cyclical nature of creation and destruction—how matter, symbols, and structures erode, reconfigure, and return in new forms. In his ongoing FOSSILS series, Golles turns to the car as a cultural artifact—a modern emblem of progress that conceals something more primal. Fossil Michelin, created for Édition Solenne, emerges from this body of work. Golles’ sculptures feel like quiet discoveries—objects that seem unearthed rather than made. Whether monumental or handheld, they invite reflection on what we leave behind, and what those remnants might one day say about us.

Landon Metz

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Landon Metz is an American artist known for his calm, meditative approach to painting. His work is quiet but powerful—built around soft shapes, repeating patterns, and flowing color washes that seem to breathe on the canvas. At first glance, everything looks simple. But the more time you spend with it, the more you notice the precision, the rhythm, and the depth hiding just below the surface. Metz often works with dye on raw canvas, letting the pigment soak into the material and create organic forms that feel both controlled and accidental. There’s a strong sense of balance in everything he does—between shape and space, stillness and movement. It’s minimal, but not cold. His works have a warmth and openness that invites you to slow down and look a little longer. He’s shown his work around the world, including exhibitions at von Bartha in Basel, Museo Pietro Canonica in Rome, and Almine Rech in Paris. His pieces have also been part of group shows at institutions like Kunsthalle Zürich and the Museum of Contemporary Art in Tucson. Over the years, Metz has built a practice that feels totally his own—calm, focused, and deeply connected to materials and place. In a time where louder often gets noticed first, Landon Metz’s work reminds us how much power there can be in restraint, patience, and presence.

Laurids Gallée

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Laurids Gallée (b. 1988, Vienna, Austria) is a designer known for his distinctive approach that merges traditional aesthetics with modern materials. He graduated from the Design Academy Eindhoven in 2015 and primarily works with cast resin and wood. Gallée’s practice is characterized by bold, graphic forms that draw inspiration from folk traditions and ornamental design. His innovative use of cast resin allows him to create contemporary pieces that are both functional and sculptural, bridging the gap between utility and artistry.

Louise Roe

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Louise Roe, based in Copenhagen, Denmark, holds a degree in Fashion and Concept Development. Her work is defined by a distinctive blend of sculptural form and functional design, with a focus on materials such as glass, ceramic, stone, and metal. Committed to craftsmanship and aesthetic refinement, Roe draws inspiration from early Art Deco, 1930s Brutalism, and Bauhaus minimalism. Her collections embody a thoughtful fusion of artistic influence and material exploration, resulting in pieces that are both visually striking and purposefully designed.

Maria Rubinke

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Maria Rubinke creates sculptures that are as beautiful as they are unsettling. Her work blends classical craftsmanship with dark, surreal imagery—delicate porcelain figures that look innocent at first glance, but quickly reveal something stranger underneath. It’s this contrast—between the sweet and the sinister—that makes her work so captivating. She often works in bronze and glass, materials that suggest fragility and purity, but her subjects are anything but soft. Children with cracks in their skin, bodies split open to reveal something otherworldly—it’s like stepping into a dream that borders on a nightmare. But there’s a quiet elegance to it too. Nothing feels forced or grotesque for the sake of it. Each detail is carefully considered, beautifully made, and emotionally loaded. Rubinke studied at the Royal Danish Academy of Fine Arts and completed part of her training at the Academy of Fine Arts in Carrara, Italy. She’s exhibited at major galleries across Europe, including solo shows at Galerie Mikael Andersen in Copenhagen and Munch Gallery in New York, and her work has been shown at CHART Art Fair, Bornholm Art Museum, and Trapholt. Her sculptures are part of both public and private collections, and she continues to push the boundaries of what porcelain sculpture can express. In a world that often separates beauty from discomfort, Rubinke brings the two together—creating works that are haunting, poetic, and impossible to forget.

Mikkel Carl

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Mikkel Carl plays with meaning, context, and materials—often turning familiar things on their head. His work spans sculpture, installation, and text-based pieces, always with a sharp eye for contradictions and clever twists. Nothing is quite what it seems. A concrete slab might be silk. A wall could be part of the artwork. A title might tell you everything—or nothing at all. He moves easily between minimalism and conceptual art, but never gets stuck in theory. There’s always a sense of curiosity and a bit of dry humor behind what he does. He’s interested in how we experience art, where we expect to find it, and what happens when those expectations are flipped. He often works with industrial or readymade materials—steel, glass, mirrors, spray paint—giving them new meaning by changing their context or presentation. Some works feel bold and heavy; others are quiet and barely there. But they all ask you to look twice and think again. He has exhibited widely in Denmark and abroad, including solo shows at O—Overgaden, Politikens Forhal, Kunsthal NORD, and Tranen. His work is part of several public and private collections, including the Danish Arts Foundation and HEART—Herning Museum of Contemporary Art. At its core, Mikkel Carl’s practice is about challenging perception—with just enough wit and precision to make you stop, smile, and maybe question everything for a second.

Onno Adriaanse

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Onno Adriaanse (b. 1991, Netherlands) is a designer and artist who graduated from the Design Academy Eindhoven. He works primarily with wood, natural stone, and composite materials. In 2006, he founded a multidisciplinary studio that focuses on art installations and unique furniture pieces. Adriaanse’s work explores the intersection of functionality and emotional experience, often drawing inspiration from geological processes.

Rose Eken

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Rose Eken (b. 1976) is a Danish visual artist whose practice dances between the meticulously handmade and the everyday ephemeral. Working primarily in ceramics, her work distills fragments of life—guitar pedals, crumpled cigarette packs, slices of cake—into sculptural still lifes that feel both intimate and theatrical. With a background in scenography, Eken builds immersive installations that read like stage sets frozen mid-performance. Objects are rendered not as perfect replicas, but with visible brushstrokes and fingerprints—alive with imperfection and narrative. There’s a quiet defiance in her work, a playful nod to pop culture and punk, but always anchored in the tactile, the personal, the real. Her ceramic interpretations turn the ordinary into relics. A walkman. A studio coffee cup. A single sneaker. These aren’t just things—they’re emotional echoes, made permanent. In Eken’s hands, the act of remembering becomes sculptural. Eken is educated at the Royal College of Art in London and the Edinburgh College of Art. Her work has been exhibited across Europe and the U.S., and is part of major public and private collections. She lives and works in Copenhagen.

Sidsel Meineche Hansen

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Sidsel Meineche Hansen (b. 1981) is a Danish artist based in London. Her work explores how technology, power, and the body are connected—especially how systems like the tech industry, the healthcare sector, and the adult entertainment world shape how we live, work, and feel. Through sculpture, animation, video, and installations, she asks big questions about who’s in control, what’s being sold, and how it all affects the way we see ourselves. One of her most talked-about projects features EVA v3.0, a 3D-scanned figure of a sex worker that Hansen sourced from a commercial virtual reality platform. She’s used this avatar in multiple works to highlight how digital images and bodies are bought, sold, and manipulated—raising questions about consent, identity, and capitalism in the virtual age. Hansen often mixes hard, industrial materials with moving images, creating spaces that feel part-laboratory, part-personal. Her work is deeply critical, but also emotional—grounded in research but rooted in lived experience. She’s shown her work at some of the leading art institutions in Europe, including Tate Modern, KW Institute for Contemporary Art in Berlin, Hamburger Bahnhof, Kunsthal Aarhus, and Chisenhale Gallery in London, where she had a solo show that helped bring her international attention. Whether she’s talking about pharmaceuticals, porn, or mental health, Sidsel Meineche Hansen’s art pulls back the curtain on the systems running in the background of our daily lives—and how they impact our bodies and minds.

Sif Itona Westerberg

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Sif Itona Westerberg is a Danish visual artist whose work spans sculpture, installation, and drawing, often exploring the blurred boundaries between mythology, technology, and the natural world. Born in 1985 and based in Copenhagen, Westerberg is known for her ability to merge ancient symbolism with contemporary materials—creating a body of work that feels both archaeological and futuristic. At the heart of her practice lies an investigation into how we create meaning across time. Drawing from classical sculpture, digital aesthetics, and science fiction, she constructs complex, layered forms that often resemble artifacts unearthed from an imagined civilization. Her pieces may evoke fragments of bodies, vessels, or relics, yet they resist clear categorization—inhabiting a liminal space between past and future, human and machine. Westerberg often works in cast materials such as concrete, resin, and metal, manipulating their surfaces with intricate patterns or embedded forms. These materials, typically associated with permanence or industrial utility, are transformed into delicate, even poetic expressions. Her visual language is tactile and enigmatic, inviting viewers to project their own narratives onto each work. In recent years, Westerberg has exhibited widely across Scandinavia and Europe, earning critical recognition for her thoughtful material investigations and distinctive aesthetic. Her work reflects a growing interest in how technology and mythology intersect—and how these forces shape our understanding of identity, memory, and origin. Through a practice that is both rigorous and intuitive, Sif Itona Westerberg offers a quietly radical take on sculpture in the 21st century.

Thomas Kiesewetter

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Thomas Kiesewetter is a German sculptor known for creating bold, dynamic forms that feel like they’re in motion—even when standing completely still. His sculptures twist, bend, and fold in unexpected ways, often made from metal sheets shaped into something that feels playful, architectural, and slightly off-balance in the best possible way. There’s a sense of spontaneity in Kiesewetter’s work, like each piece was frozen mid-transformation. He works mainly with materials like aluminum and steel, cutting and assembling them into fluid shapes that seem to defy their own weight. The surfaces are often painted in bright, flat colors—giving them the energy of abstract paintings brought into three dimensions. While rooted in formalism and modernist traditions, Kiesewetter’s sculptures never feel academic. They’re full of life, humor, and a kind of offbeat elegance. You can see hints of bodies, machines, or folded paper—but the works never settle into one clear meaning. Kiesewetter has exhibited widely across Europe and beyond, with solo shows at institutions like Kunstverein Heilbronn, Skulpturenpark Köln, and Capitain Petzel in Berlin. His works are included in major public collections such as the Kunstmuseum Bonn and the Falckenberg Collection. Whether installed in a gallery or in public space, his sculptures always seem to shift the atmosphere around them—reminding us that even solid materials can carry a sense of movement, curiosity, and play.

Willem van Hooff

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Willem van Hooff (b. 1992, Netherlands) is an artist and designer known for his innovative work in ceramics, wood, and metal. He studied at Sint Lucas, KADK in Copenhagen, and the Design Academy Eindhoven. Van Hooff's passion for reviving forgotten techniques and materials is evident in his ceramic creations. His work breathes new life into traditional forms, resulting in pieces that feel both ancient and experimental, blending historical craftsmanship with contemporary expression.