Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity
Cavity

Cavity

26.250,00 kr

Sif Itona Westerberg

Material: Carrara Bianco C Marble
Year: 2025
Dimensions: 35h × 25w cm
Edition: 12 + 4 Artist’s Proofs (AP)
Price: 26.250 DKK per object (incl. 5% artist’s VAT)
Availability: Made to order
Delivery Time: 8-10 weeks.

Description

Cavity portrays a hand meeting an organic structure that seems to grow from within the marble itself. The touch is light, almost cautious, revealing the intersection between human gesture and natural formation. Branching and cellular patterns unfold beneath the fingers, suggesting both emergence and containment—a moment where the living form presses outward yet remains held by the stone.

Carved in Carrara marble with Westerberg’s characteristic precision, each relief carries subtle variations in depth and surface, emphasizing the dialogue between craft and the slow movement of transformation. The work captures tenderness within material weight, a quiet exchange between body, matter, and time.

What does Cavity represent?
The hollow interior filled with archaic memory, dormant nature, and long-buried connections.

How is the archaic dimension articulated?
Through deeper recesses, darker voids, and organic growths that resemble fossils, roots, or sedimented traces.

Why is the cavity portrayed as potent rather than empty?
Its hollowness is generative—an interior archive of instinct, ancestry, and latent energy.


Inquiries

For questions or to request a specific edition number, contact contact@editionsolenne.com

Sif Itona Westerberg

Sif Itona Westerberg is a Danish visual artist whose work spans sculpture, installation, and drawing, often exploring the blurred boundaries between mythology, technology, and the natural world. Born in 1985 and based in Copenhagen, Westerberg is known for her ability to merge ancient symbolism with contemporary materials—creating a body of work that feels both archaeological and futuristic.

At the heart of her practice lies an investigation into how we create meaning across time. Drawing from classical sculpture, digital aesthetics, and science fiction, she constructs complex, layered forms that often resemble artifacts unearthed from an imagined civilization. Her pieces may evoke fragments of bodies, vessels, or relics, yet they resist clear categorization—inhabiting a liminal space between past and future, human and machine.

Westerberg often works in cast materials such as concrete, resin, and metal, manipulating their surfaces with intricate patterns or embedded forms. These materials, typically associated with permanence or industrial utility, are transformed into delicate, even poetic expressions. Her visual language is tactile and enigmatic, inviting viewers to project their own narratives onto each work.

In recent years, Westerberg has exhibited widely across Scandinavia and Europe, earning critical recognition for her thoughtful material investigations and distinctive aesthetic. Her work reflects a growing interest in how technology and mythology intersect—and how these forces shape our understanding of identity, memory, and origin.

Through a practice that is both rigorous and intuitive, Sif Itona Westerberg offers a quietly radical take on sculpture in the 21st century.